We've always loved the paintings of
William Scott and
Doris Lee. For some reason, the other day, we had downloaded some images of each on the desktop and loved how they complimented one another. Although the American Lee stayed fairly representational and the British Scott's exploration of form became increasingly abstract, their composition and manipulation of line is spare and economical.
Scott's
White Reclining Nude, 1956
Doris Lee, Bathers
Scott,
Hare and Candle
Scott's
Forms on White, 1963
William Scott,
White and Black Forms, 1953
Scott,
White Shapes Entering, 1973
Doris Lee,
Christmas Fruits
Eggs and Lemons ala William Scott
Scott's
Yellow Matrix, 1962
Scott's White Reclining Nude, 1956
Scott, Hare and Candle
Scott's Forms on White, 1963
William Scott, White and Black Forms, 1953
Scott, White Shapes Entering, 1973
Doris Lee, Christmas Fruits
Eggs and Lemons ala William Scott
Scott's Yellow Matrix, 1962
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